Went to the Gypsy Tea Room last night to see Wilco for the third time. At one point on stage, Jeff Tweedy said something about how this was a historic night in the band’s existence, and I suppose it was: it was the first time the new lineup (sadly, sans Jay Bennett) played live, and it was the world premiere of most of the songs from their new, as-yet-unreleased album, Yankee Hotel Foxtrot.

(Wilco was summarily bounced from their silly label, Reprise, a couple of months ago because higher-ups deemed the new album “too uncommercial.” While it won’t be out through the normal channels until early 2002, you can find it online in the usual illegal places, and it’s streaming at the band’s web site.)

While it was a dumb move on Reprise’s part, I have no trouble understanding why a scared label exec might not get the new stuff; it’s much more shambolic and found-sound-y than earlier Wilco. Several of the songs devolve into quiet, collapsing structures. (The closest analog I can think of is some of Big Star’s third record, like “Kanga Roo.”) It was a much more subdued Wilco show than the others I’ve gone to; instead of the usual rave-up on “Casino Queen,” the last half of the show was quiet stuff like “Sunken Treasure.” But I’m more than willing to follow Tweedy on whatever path he takes the band down. He’s got a touch of artistry about him not many folks do.

22 September 2001



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Joshua Benton is the director of the Nieman Digital Journalism Project at Harvard University, among other things. Before that, he was a staff writer and columnist for The Dallas Morning News. (More.)

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