Now that I’ve given away my weakling CDs to fellow DFWbloggers, I’ve got room for some more, courtesy Toledo’s Boogie Records. Freshly purchased used: Kool and the Gang, Live at the Sex Machine ($3!); Ornette Coleman, The Shape of Jazz to Come; Treble Charger, Self=Title (more Canadian rock); David Holmes, This Films Crap Lets Slash the Seats (from the man who did the Out of Sight soundtrack linked below); Chocolate Genius, Godmusic; DJ Deep, Respect is Burning Presents: Respect to DJ Deep. (And freshly purchased new: Radiohead, I Might Be Wrong: Live Recordings.)
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Joshua Benton is the director of the Nieman Journalism Lab at Harvard University, among other things. Before that, he was a staff writer and columnist for The Dallas Morning News. (More.)
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