Looks like the Thermals have recorded their second album, to be released in May. Their last one was great, amateurish fun — imagine early Guided By Voices, but faster, punkier, and less weird. In an alternate universe where Green Day went to college and majored in semiotics, they’d sound like the Thermals. (MP3 of “No Culture Icons,” one of the slower songs on the album, here.)
In their brief recording history, the band has been defined by its production values, of which there are basically none. The first album, More Parts Per Million, was allegedly recorded for the grand total of $60, and it sounds like it. We’re talking lower than lo-fi — some tracks sound like they were recorded on a boom box. So I’m really interested to see what they do on this album, which was recorded by Death Cab’s Chris Walla — if anything, a man criticized for overproducing records and sapping out energy with layers of polish. (I don’t necessarily agree with those criticisms, but they’re out there.) Should be interesting.
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Joshua Benton is the director of the Nieman Digital Journalism Project at Harvard University, among other things. Before that, he was a staff writer and columnist for The Dallas Morning News. (More.)
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