I’ve posted before about France Gall, the French yé-yé singer who, in the late 1960s, was a strong contender for the title of Cutest Woman Alive. Gallic cuteness + the ugly genius of Serge Gainsbourg = pop heaven.
Perhaps Gall’s most famous song is the Serge-penned “Laisse Tomber Les Filles.” It’s been covered by a bunch of acts over the years. Herewith, as many versions as I could find in 10 concentrated minutes of Googling:
First, the video of France Gall’s original:
Second, a cover by Mareva Galanter, a Tahitian-born ex-Miss France who now has a sort of ukulele-heavy yé-yé revivalist act. If the video seems a bit stilted and boring, that’s because it’s consciously modeled on old ’60s Scopitones:
Third, a punky (and sloppy) live version by the all-female French rock band Violett:
Fourth, a nice (audio-only) version by Fabienne Delsol, a French expat in the U.K. and ex-leader of The Bristols. It’s a little more full-bodied.
Fifth, “Chick Habit,” the English-language version by April March, the delicious Francophile-animator-turned-chanteuse. Oh, April March, you temptress! Most of her catalog (which is well worth seeking out) is in French, but this translates Serge’s words in to “Hang up the chick habit / Hang it up, daddy / A girl’s not a tonic or a pill.”
Sixth — and bringing us to two ukulele references in this post — is this live version (Dec. 19, 2002) by The Kelele Brothers. It’s actually a cover of the April March version. Quoth their web site: “The Kelele Brothers, by day, are a mild-mannered group of world-travelling superstars who, at night, armed with ukeleles and beer, turn into a ridiculous bunch of yahoos.” They’re actually Canadian songwriter Ron Sexsmith and his touring band.
awesomeness
Joshua Benton is the director of the Nieman Journalism Lab at Harvard University, among other things. Before that, he was a staff writer and columnist for The Dallas Morning News. (More.)
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